Gideon Zelermyer Cantor · Tenor · Teacher

Congregation Shaar Hashomayim · May 2020 —

When the curtain fell on the rest of the world, the curtain rose on A Night @ the Opera!!

It began in May 2020, the second month of the Covid shutdown, because there was nothing else to do on a Thursday night.

Gideon Zelermyer on camera for a Night @ the Opera, seated in front of floor-to-ceiling shelves of CDs, with the SH’MA Shaar Hashomayim Music & Arts logo in the corner.
From the CD shelves, Thursday night.

The premise was simple enough: a world where singing had become the most dangerous activity, a cantor with an encyclopedic knowledge of opera, an audience with nowhere to go.

Along the way the audience grew from thirty to more than five hundred, and the guests came: singers, scholars, producers, writers.

The evenings sort six ways: by voice, by holiday, by a single opera taken sometimes an act at a time, by whatever the world was doing that week, by a guest in conversation — and by categories that exist nowhere else in the operatic literature: animals, weather, doctors, royalty, best endings, and opera sung in the wrong language. The organizing principle is that there isn't one — it just needs to be fun!

Most Zoom programmes launched in 2020 were finished by 2022. This one is going strong into its seventh year.

BEGAN
21 May 2020
67 nights
66 recorded
6 years
30 → 500+ audience

30

May 2020 · first episode

300

March 2021

500+

Winter 2022

CBC Radio 2 · September 2010

Before the series

The series has an origin, and it is on tape. Ten years before the first Thursday night, Bill Richardson brought Saturday Afternoon at the Opera to Montreal for an afternoon — first to the house, over the opera autographs inherited from Rabbi Mark Loeb of Baltimore, and then to the sanctuary. Ponselle as Norma; a Metropolitan Opera cast page signed by Ponselle, Serafin, Martinelli and Pinza; Hermann Jadlowker, who sang at the Met and was chief cantor of Riga, and had the coloratura for both.

The rest is the conversation this page never otherwise explains: Carmen at six at the Lyric Opera in Boston, under Sarah Caldwell, which struck him mostly as people screaming in a language he could not follow; his mother’s records, taken off the shelf a decade later; voice lessons at George Washington begun so that he would understand what he was listening to; a year of rabbinical school during which one half of his life kept speaking to him and the other spoke less and less.

“A leading tenor has to convince me that he’s in love, has to convince me that he’s going to war, has to convince me that he’s trying to save this girl from this evil villain — usually a baritone. In the same way, I need to be convincing. My job, more than anything, is to serve the text.”
“I know that I’m not the proverbial fourth tenor, and that’s fine with me.”

Part one · at home, over the autographs · 5 minutes

Part two · in the sanctuary · 14 minutes

The broadcasts, in full →

Who has come

Guests

Barry Tucker

President of the Richard Tucker Music Foundation, on his father — the Metropolitan Opera star who never stopped serving as a cantor.

June 2020

Joseph Kaiser

Tenor, and once a member of the Shaar Hashomayim choir, now High Holy Day cantor at Temple Emanu-El-Beth Sholom — and the reason there are anthems in this story at all.

July 2020

Leah Edwards & Dimitri Pittas

Soprano and tenor, and married. Edwards has twice sung in Shaar concerts, Pittas once. During the pandemic they founded an opera company in Charleston.

July 2020

Aryeh Nussbaum Cohen

Countertenor — and cantor at his hometown synagogue on the High Holy Days. The same two lives, in one voice an octave higher.

November 2020

Martha de Francisco

Record producer; McGill Professor. Produced the Shaar Hashomayim recordings.

December 2020

Susan Pinker

Psychologist and author of The Village Effect.

December 2020

Michael Benchetrit

Artist manager.

February 2021

Leon Wieseltier

Writer; editor of Liberties; dear friend of Leonard Cohen.

March 2021

Russell Braun

Canadian baritone. Sang the title role in Elijah at The Shaar in 2017.

June 2021

Rabbi David Wolpe

Rabbi Emeritus of Sinai Temple, Los Angeles; author; invited Zelermyer to lecture at Harvard Divinity School.

March 2022

Robert Baker

Tenor, and for many years a professor of music at The George Washington University. Zelermyer's first voice teacher — and still his voice teacher.

May 2022

Steven Pinker

Cognitive psychologist and author; Johnstone Professor, Harvard.

June 2022

Most of the people on this list appear elsewhere on this site — in a concert, on a record, or at the start of something. They are not just guests, they are each part of the story.

Posters and title cards

On the bill

Poster for A Night for Ukraine: Words & Music of Peace & Healing, with photographs of Rabbi David Wolpe and Cantor Gideon Zelermyer, under the SH’MA — Shaar Hashomayim Music & Arts logo.
A Night for Ukraine · Words & Music of Peace & Healing
With Rabbi David Wolpe, Max Webb Senior Rabbi of Sinai Temple, Los Angeles.
2 March 2022 — Episode 34.
Title card for the West Side Story evening: the show’s name in distressed black type on red, with dancers silhouetted on a fire escape and a countdown reading ‘Begins in… 6:13’.
West Side Story
The holding card, counting down.
13 January 2022 — Episode 31. The night the 500-seat Zoom sold out.
Poster for Is Music a Universal Language?, with a photograph of Steven Pinker beside an empty opera house auditorium.
Is Music a Universal Language?
Steven Pinker in conversation.
23 June 2022 — Episode 39.

Every evening, in order

The index

A complete list. Recordings are held by the congregation; individual episodes may be viewed on request.

2020

01Lyric Tenors21 May
02Cantors & Opera Stars Barry Tucker4 June
03Opera Oddities not recorded11 June
04Black Opera Singers25 June
05Canadian Singers Joseph Kaiser2 July
06Leah & Dimitri Leah Edwards · Dimitri Pittas9 July
07Tenor–Baritone Duets6 Aug
08Opera @ the Movies13 Aug
09Mezzos20 Aug
10Interludes & Preludes22 Oct
11Halloween29 Oct
12Prayers in Opera5 Nov
13Countertenors Aryeh Nussbaum Cohen19 Nov
14In conversation Martha de Francisco3 Dec
15Chanukah Susan Pinker10 Dec

2021

16More Than Duets21 Jan
17Animals @ the Opera I4 Feb
18Love Duets11 Feb
19In conversation Michael Benchetrit18 Feb
20Baritones4 Mar
21Passover Themes in Opera Leon Wieseltier18 Mar
22Shakespeare in Opera6 May
23In conversation Russell Braun3 June
24Live Opera10 June
25Desert Island Discs17 June
26Opera in the Wrong Language7 Oct
27Opera Choruses28 Oct
28Remembrance Day11 Nov
29Thanksgiving25 Nov
30Chanukah2 Dec

2022

31West Side Story13 Jan
32Opera @ the Movies, the Sequel3 Feb
33Love17 Feb
34A Night for Ukraine Rabbi David Wolpe2 Mar
35Purim & St Patrick's Day17 Mar
36Boris Brott · Leonard Cohen · Pesach7 Apr
37In conversation Robert Baker12 May
38Royalty in Opera2 June
39Is Music a Universal Language? Steven Pinker23 June
40La Traviata20 Oct
41Halloween27 Oct
42The Barber of Seville, Act I7 Dec
43The Barber of Seville, Act II22 Dec

2023

44La Bohème2 Mar
45Preludes & Interludes9 Mar
46Shaar Concerts Past4 May
47A Night for Israel12 Oct
48Another Night for Israel26 Oct
49Opera & Classical Music in Israel30 Nov

2024

50World's Greatest Cantors — Pre Concert28 Mar
51Father's Day20 June
52Pre-High Holy Days25 Sept
53Choral6 Nov
54Thanksgiving21 Nov
55Doctors in Opera5 Dec
56Holiday Music19 Dec

2025

57Presidential Performances16 Jan
58Same Aria, Two Ways6 Mar
59War5 June
60Best Endings12 June
61Kavalier & Clay11 Sept
62La Fille du Régiment6 Nov
63Lorenzo da Ponte — Jew, Priest, Mozart's Librettist20 Nov
64More Than Duets, Take Two11 Dec

2026

65Turandot at One Hundred30 Apr
66Weather4 June
67Animals @ the Opera II16 June